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Over The Tangent

Originally formed by keyboardists Andy Tillison and Sam Baine of Parallel or 90 Degrees and The Flower Kings guitarist Roine Stolt, bassist Jonas Reingold, and drummer Zoltan Csörsz. The septet was completed by renowned saxophonist David Jackson of Van der Graaf Generator and multi-instrumentalist Guy Manning. The Tangent has an improbable history and numerous changes in personnel. In May 1999, Andy Tillison and Sam Baine's band Parallel or 90 Degrees performed a Classic Rock Society gig at Rotherham supporting Swedish band The Flower Kings. Neither band had heard of the other. While writing the next Parallel or 90 Degrees album, More Exotic Ways To Die, Tillison began to filter out certain ideas that were more overtly "prog" in nature and pass them over to what he called a "solo album". Inspired by the Flower Kings albums he was now listening to on an hourly basis, he decided to separate his "prog" from his rock, and the result was a Parallel or 90 Degrees album stripped of much of the flowery style of progressive music which suited that band's cause well. This 'left over' music was put to one side until Tillison had a row with Flower Kings crew member Ian Oakley. "I made the fatal mistake of slagging Po90 off in a review of that first concert the bands played together," remembers Oakley. "I was obviously reviewing the Flower Kings, and I'd not in honesty paid that much attention to Po90's set. I guess what I wrote must have looked a bit dismissive, just a couple of lines about them. I got this mail from Andy that tore me to bits. I wrote back and told him it was the actually the very first review I'd ever written. He wrote back to me and apologised, we started to talk a lot about prog music, discovered we had a lot in common, and he sent me this CD of demos he'd been sitting on. Suffice to say I am now the Tangent's manager..." Oakley sent Tillison's demo to Roine Stolt of the Flower Kings. Stolt liked it, offered to play on it, invited Jonas Reingold and Zoltan Csorsz to help out on drums and bass and suggested adding a saxophonist. Tillison happened to know David Jackson's telephone number. The resulting album, The Music That Died Alone, was welcomed by the progressive rock community and the band won 'Best newcomer', 'Best artwork', 'Best debut' and 'Album of the year' in nearly every worldwide progressive rock poll.[citation needed] Each subsequent album has achieved similar acclaim.

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