By bringing together archival material and new footage depicting Slavutych, the last city the Soviet Union built, located in northern Ukraine, Vaikla asks how do the subjective and collective identities form as well as materialise (on film, in politics, in architecture). The adolescent character of both the city, being only three decades old, and its daring inhabitants invites the audience to balance oneself on the barriers between time and space, and every now and then, having built enough cour