Since 2004, Laurent Gérard alias Èlg (Opéra Mort, Orgue Agnès) has never ceased to draw the sonic equivalent of concentric spirals and labyrinths made of cedars, brambles and guts. By constantly renewing his instrumentarium over the years, he has built improbable bridges between musique concrète and songwriting (Vu du Dôme, Mauve Zone), diagonal spoken word and wormhole (Amiral Prose), electronic incantations in crypt and blob choirs (Mil Pluton, La Chimie). The language is sometimes francophone